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	<title>THE COLLECTION ARTAUD</title>
	<link>https://thecollectionartaud.com</link>
	<description>THE COLLECTION ARTAUD</description>
	<pubDate>Wed, 26 May 2021 11:51:51 +0000</pubDate>
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		<title>GARDEN</title>
				
		<link>https://thecollectionartaud.com/GARDEN</link>

		<pubDate>Mon, 10 May 2021 07:14:44 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

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		<description>akeyamasouAllis
Alex Augier
Arata Mori, Philippe Ciompi, Yu Miyashita
Atsushi IzumiAviv SternB E N N
DB1 + DYLDefunkt DialektDYLFocal Point
Ghost Warrior
Gorgonn
GUANHappySadCoreHattori
hazcauch
Hiroki Takeshita
hironori nagatsumaiceleaps
Isolat PatternJ-Shadow
Lauren MariaMeze
MIRAIGAMILL
Miyamasa
moxusnzworkdown
PrintiigPsysEx
R 325
Shuta HirakiSignal Arrow
Sunao Inami
vvhy
Yaporigami
Yasunobu Suzuki
Yu Miyashita
Yunze Ou
yvanko</description>
		
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		<title>[TCA 50]</title>
				
		<link>https://thecollectionartaud.com/TCA-50</link>

		<pubDate>Wed, 26 May 2021 11:51:51 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

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[TCA 50]IDMMXXI-L by Yaporigami
- TRACKLIST
A1. I Am Well, Thank You. And You?A2. Non-Acid Classic #2A3. What Stéphane Mallarmé Has SeenA4. Warmth Of The Invisible LoveB1. Gogh Did His Thing. I Will Do My Thing.B2. Sun &#124; MoonB3. I Was Told I Was Born On A Heavy Snowy DayB4. Shamanic Birds Of HealersB5. Poetics

- CREDITS
Music. YaporigamiMastering. Yu MiyashitaArtwork. Snezhana ReizenRelease Date: 02 Jun 2021
- PURCHASE 

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	&#60;img width="2048" height="2728" width_o="2048" height_o="2728" data-src="https://freight.cargo.site/t/original/i/8a5a4a91926db39884f7090b14f63a94150d50761d2e08296d8a4d2a1c921193/00.jpeg" data-mid="109559153" border="0"  src="https://freight.cargo.site/w/1000/i/8a5a4a91926db39884f7090b14f63a94150d50761d2e08296d8a4d2a1c921193/00.jpeg" /&#62;


- TESTIMONIAL"His latest album is IDMMXXI-L, following the earlier IDMMXX, and finds him destroying breakbeats, glitching melodies and generally creating mayhem. The song titles are somewhere between hilarious &#38;amp; profound, and musically it's a great continuation of the glitchy, complex, hyperactive experimental electronic music that Japan has produced over the last 2-3 decades." - Utility Fog</description>
		
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	<item>
		<title>[TCA 49]</title>
				
		<link>https://thecollectionartaud.com/TCA-49</link>

		<pubDate>Fri, 08 Jan 2021 21:57:08 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

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[TCA 49]Xinri F / Xinri G by Yaporigami- TRACKLIST
A. Xinri FB. Xinri G

- CREDITS
Music. YaporigamiMastering. Yu MiyashitaRelease Date: 06 May 2021 
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		<title>[TCA 48]</title>
				
		<link>https://thecollectionartaud.com/TCA-48</link>

		<pubDate>Tue, 20 Apr 2021 08:54:43 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-48</guid>

		<description>
	

[TCA 48]Him / Her by Yu Miyashita- TRACKLIST
A. HimB. Her

- CREDITS
Music. Yu MiyashitaMastering. Yu MiyashitaRelease Date: 22 Apr 2021 
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		<title>[TCA 47]</title>
				
		<link>https://thecollectionartaud.com/TCA-47</link>

		<pubDate>Fri, 08 Jan 2021 22:00:52 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-47</guid>

		<description>
	

[TCA 47]Sakasama / King&#38;amp;Queen by Hiroki Takeshita

- TRACKLIST
A. SakasamaB. King&#38;amp;Queen

- CREDITS
Music. Hiroki Takeshita (recorded in 2006)Mastering. Yu MiyashitaRelease Date: 15 Apr 2021 

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		<title>[TCA 46]</title>
				
		<link>https://thecollectionartaud.com/TCA-46</link>

		<pubDate>Wed, 24 Mar 2021 19:52:01 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-46</guid>

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[TCA 46]
Ket / Fon by Printiig- TRACKLIST
A. KetB. Fon

- CREDITS
Music. PrintiigMastering. Yu MiyashitaRelease Date: 01 Apr 2021 
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		<title>[TCA 45]</title>
				
		<link>https://thecollectionartaud.com/TCA-45</link>

		<pubDate>Fri, 08 Jan 2021 22:03:28 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-45</guid>

		<description>
	

[TCA 45]Homage (RM) by Yu Miyashita

- TRACKLIST
A1. to LeonardoA2. to IonescoA3. to GoetheB1. to NovalisB2. to ShusakuB3. to Michael

- CREDITS
Originally released on Signal Dada in 2015Music. Yu MiyashitaMastering. Yu MiyashitaDrawing. Takashi OkadaRelease Date: 18 Mar 2021 

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	&#60;img width="3511" height="4859" width_o="3511" height_o="4859" data-src="https://freight.cargo.site/t/original/i/ad167a2ab9b88cf7fe7e7e94fdfedc6b30d9576458946b558c54307e162fc48a/TCA45_original.jpg" data-mid="101471564" border="0"  src="https://freight.cargo.site/w/1000/i/ad167a2ab9b88cf7fe7e7e94fdfedc6b30d9576458946b558c54307e162fc48a/TCA45_original.jpg" /&#62;



	"To The Madly Beautiful World To Death"　For instance, from when you were little, I guess everyone has had a sense of incongruity to certain extent. It appears to be impossible to judge whether I'm crazy or this world is. Accelerated sensibility seems to rather expose a decisive break between me and the way the world is. However, in order to go forward, taking one firm step at a time must be noble. For example, even if you confront yourself with such a world, who can deny the way you decided to be, live, exist and the path you have endeavoured to discover? I wish I could rather enjoy a contradiction but I'm not born in such a way.　There are variety of people sitting in the direction we call the past, when we catch the concept of time linearly. To mention six, Leonard Da Vinci, Eugène Ionesco, Johann Wolfgang von Goethe, Novalis, Shusaku Arakawa and Michael Ende. There's a feel in myself that what they have left have certain influences on the way I am now. My gratitude to the way they were.- Yu Miyashita, 2015
	「死ぬ程狂おしくて美しい世界へ」　例えば小さな頃からこの世界に対する違和感が皆少なからずあると思う。自分が狂っているのか世界が狂っているのか判断不可能で。加速して行く感受性はこの世界の在り方との決定的な断絶を助長する様でしかなくて。それでも一歩ずつ進む事はきっと尊いし、例え世界と対峙してしまっても其処で見つけた自分の在り方は誰にだって否定出来るものでは無い筈で。矛盾をもっと楽しめたらとは思う、どうやら僕はそんな風には生まれてない様で。　時間の概念を直線的に捉えた時に僕らが過去と呼んでいる方向に色んな人達が居る。仮に六人挙げるとすれば、レオナルド ダ ヴィンチ、ウジェーヌ イヨネスコ、ヨハン ヴォルフガング フォン ゲーテ、ノヴァーリス、荒川修作、ミヒャエル エンデ。彼らが残してくれたものが今の自分の在り方に響いている事は確かな感触として存在していて。そんな彼らの在り方に感謝の意を表して。"- 宮下悠, 2015 
- TESTIMONIAL
“I love “to Novalis” so much when I listened to the demo since 2015 but it only could be bought in CD format, finally I can enjoy the whole piece now. Full of nostalgic and melancholy atmosphere, just like William Basinski, modern Ambient Glitch music masterpiece. Favorite track: to Novalis.” -&#38;nbsp;Neon_de_Mars</description>
		
	</item>
		
		
	<item>
		<title>[TCA 44]</title>
				
		<link>https://thecollectionartaud.com/TCA-44</link>

		<pubDate>Mon, 04 Jan 2021 07:56:13 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-44</guid>

		<description>
	

[TCA 44]end(O).ex(O) by Alex Augier- TRACKLIST
A1. oomyceteA2. oogoneB1. oosphereB2. oosporeB3. oogame (extra)

- CREDITS
Music. Alex AugierMixing &#38;amp; Mastering. Yu MiyashitaArtwork. Alba G. CorralRelease Date: 04 Mar 2021 


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	<item>
		<title>[TCA 43]</title>
				
		<link>https://thecollectionartaud.com/TCA-43</link>

		<pubDate>Tue, 05 Jan 2021 09:03:33 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-43</guid>

		<description>
	

[TCA 43]歩法 / 走法 by Hattori




- TRACKLIST
A. 歩法B. 走法

- CREDITS
Music. Hattori (recorded in 2006)Mastering. Yu MiyashitaRelease Date: 18 Feb 2021 

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	<item>
		<title>[TCA 42]</title>
				
		<link>https://thecollectionartaud.com/TCA-42</link>

		<pubDate>Mon, 04 Jan 2021 07:54:02 +0000</pubDate>

		<dc:creator>THE COLLECTION ARTAUD</dc:creator>

		<guid isPermaLink="true">https://thecollectionartaud.com/TCA-42</guid>

		<description>
	

[TCA 42]白炭 by Shuta Hiraki
- TRACKLIST
A. IB. II

- CREDITS
Music. Shuta Hiraki (recorded Nov-Dec 2020)Mastering. Yu MiyashitaRelease Date: 04 Feb 2021 



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	"While maintaining the ambient/drone form/style on the surface level, the diverse musical fragments and elements contained in it are carefully considered and effectively existing. Thus I had the certain impression/image that there are various kinds of flowers that are (naturally) impossible to bloom on a single branch. " 
- Yu Miyashita aka Yaporigami

	

"アンビエント・ドローンという（表層上の）形式・様式を保ちつつも、内包している非常に多彩な（丁寧に選ばれたであろう）音楽的な断片・要素が効果的に存在している。故に、一本の枝に咲いている、本来的には有り得ない様々な種類の花々、という確かな印象・イメージを抱きました。" 
- Yu Miyashita aka Yaporigami


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